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Big Eyes, by Olivia Hoover – Art through the Cinematic Lens

Big Eyes, by Olivia Hoover

Big Eyes was one of few artist biographies that truly captured the flaws of society, the love of unique artistic touches, and the strong will of one woman to fight for herself, her daughter, and most importantly her “big eyes.” I enjoyed this film far more than I expected I would. I would give Big Eyes an 8/10 overall. It had a believable and, at times, an exciting plot. The acting in the movie was very well done. Each actor and actress fit their role well and made the story convincing. Amy Adams went above and beyond in becoming Margaret Keane. She excelled at portraying the role of a great mother and wife but also proved to be truly powerful and emotional at times when Keane had to fight for her family and what she felt was right. At the end of the movie, Adams was even shown standing with the true Margaret Keane which shows her dedication and respect for the artist and the film itself. Christopher Waltz portrayed the role of Walter Keane and does very well at playing the villain. He often plays this role in other films and enjoys getting carried away with his character.

At the beginning of the film, Margaret is seen leaving her first husband and heading straight for San Francisco bringing only a few suitcases and her daughter with her. She then meets Walter Keane at a street fair where she is doing portraits of people on request. Walter is a few stands down sweet-talking two ladies into buying artwork. He then approaches Margaret and flatters her into going on a date with him. The two eventually get married and both become Keanes. At the time, neither artist is successfully selling their artwork. Margaret paints young children with disproportionally large eyes and Walter is known for artwork scenes of Italian streets as he claims to have lived in Italy for a while. Walter and Margaret’s personalities are very different. Walter is a big talker and con man while Margaret takes pride in her work and feels connected to each painting. Multiple times throughout the movie, she states how artwork is a personal and emotional matter. Walter convinces the owner of a club to allow the Keanes to hang their artwork on the walls. Much more interest is expressed in the big eyes than Walter’s street artwork. When someone notices a big-eyed painting, Walter happens to be nearby. He then jumps in and offers to sell the artwork claiming that it is his. Once Margaret’s work rises in popularity, Walter continues to take credit and convinces Margaret that the work will not sell if he says it’s hers solely because she’s a “lady painter.” Because Margaret is not a fighter and enjoys seeing her work being appreciated, she agrees to go along with the fraud although she is not happy about it. Walter becomes very famous and wealthy by selling Margaret’s work. He opens his own gallery, goes on TV, sells her work as copies in supermarkets, and makes his way into big events. When an interview was scheduled with Walter to discuss is motive for the work, he quickly realizes that he needs to fabricate a back story. He claims that he spent time in Europe after the war and was heartbroken by all of the orphans on the street. He also says that orphans of the world are his inspiration for the paintings. In the meantime, Margaret has been working so hard creating the art that has led to their wealth while hiding her accomplishments from her daughter, friends, and the world unable to enjoy her fame. Margaret eventually finds the power to leave Walter after she realizes that she is not the first person he has done this too. The Italian streets that he claimed were his were done by a different artist. Walter then gets filled with rage, and alcohol, one night and tries to harm Margaret and her daughter. This is where Margaret draws the line, moves to Hawaii, continues to paint, and eventually tells the truth about Walter to a local radio host. She then takes Walter to court and wins the acknowledgment for all of her artwork of the past and future after the judge holds a “paint off.”

Big Eyes has a few underlying themes that were appreciated by the audience. The film has a feminist theme as Margaret fights against being overpowered and dominated by the men in her life. At first, she felt so undermined and didn’t know how to be independent and think on her own. Eventually, she realizes how much she enabled this and fights against both marriages, which was not common in this time, and move to a completely different state fighting for what she feels is right. The film also questions the significance of art, fame, and popularity. It showed how art is only considered “good” if it is craved by the public. Although Big Eyes is not one of Burton’s most famous films and doesn’t follow his traditional themes, the film was well done. It’s a very emotional and personal look into Margaret Keane’s life and all that she faced along the way before her, quite literal, claim to fame.

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